Die Schweizer Tourismusindustrie baut Wolkenkratzer ins Gebirge, ein australischer Markthändler bietet sprichwörtlich sein Herz zum Verkauf an, indische Fischer wehren sich gegen die Methoden des industrialisierten Fischfangs und eine junge Frau sagt dem ständigen Ruf nach Selbstoptimierung den Kampf an: Eine Zusammenstellung über globale Alltags- und Arbeitsrealitäten und sich verändernde Strukturen und Orte, persönlich, historisch und abstrakt. Dauer: 82' mit Gespräch
plan-c
plan-c (Harald Holba, Elke Mayr, Manuel Maxl, Ines Weber)
AT
2001,
5'00
What begins as an abstraction turns into animation. An image is created. We see a production line and working hands which belong to the four protagonists and makers of this video.
A CAN OF FISH
Aditi Chitre
IN
2017,
7'47
Fishermen who still remember what real fish looks and tastes like are shocked to discover a gigantic factory ship that is converting all the fish in the sea into fish cans.
Out In The Open
Isobel Knowles, Van Sowerwine
AU
2017,
10'44
A market vendor’s struggle to stay relevant in a changing world: When you spend fifty years of your life waking up and going to work before dawn, just what are you getting up for?
Knagglig
Amelie Schlögelhofer
AT
2017,
2’33
A unique story about self-optimization and the struggle with it. Delicate and thoughtful, it explores daily life and surreality with a delightful sense of humor.
Vending Machine
Jihye Kong
KR
2016,
6’20
The women who work inside the vending machines in a bustling subway station try to deal with their troublesome customers.
Who was Emmeline Pankhurst?
Katie Steed
UK
2016,
2’34
A short film to educate children about the life of Emmeline Pankhurst.
Newport Gun Girls
Lauren Orme
UK
2017,
11’36
The story of a forgotten group of women who worked at the Newport Royal Ordnance Factory 11 during World War II.
The Bow Quarter
Susi Jirkuff
AT
2017,
12’
A docufiction about what was once the most important match factory in England and became London’s first gated community in the 1980s. Its history also reflects the profound changes in the working world and the loss of historical and cultural significance.
Swiss made
Sophie Wietlisbach
CH
2017,
2’32
A satirical portrait of Switzerland that uses aesthetic codes inspired by the language of tourism.
My Father’s Vegetable Garden
Daniela Trocker
IT
2017,
8’00
At first glance, this film – based on a text by Jörg Zemmler – is a horticulture guide. On a deeper level, it is also a declaration of love.
Ant
Julia Ocker
DE
2017,
3’37
The ants are working together perfectly. But one ant does everything differently.
Tricky Women - International Animation Filmfestival Vienna
